Othello Iagos Manipulative Nature Essay Example

Othello: Iagos Manipulative Nature Essay In life, those who may wound us most deeply are not our open rivals, but rather are those in whom we place our trust. William Shakespeare’s tragedy Othello utilizes this concept to great extent in the development of its devious villain, Iago. While Iago clearly feels no allegiance to even one other character in the play, he makes each feel as if he is his or her personal confidant and most trustworthy friend and advisor. Additionally, he continually places himself in a dominant role, as one who knows more or is more capable than his peers, and can therefore execute their affairs for them, or at least advise them most aptly on what best to do. In these ways, Iago is able to manipulate the lives of all those around him with ease. The other characters’ trust of Iago is apparent through both their actions and their words. Othello not only entrusts Iago with his affairs, such as repeatedly relying on him to be a truthful witness (II. iii. 180, 220) but openly proclaims this trust, calling him â€Å"most honest† (II. ii. 7). Ultimately, it is upon Iago’s exaggerated reports that Othello, misunderstanding Iago’s treachery, bases his painfully ironic decision, which he announces to all those in attendance, â€Å"I know, Iago/ Thy honesty and love doth mince this matter,/ Making it light to Cassio. Cassio, I love thee;/ But never more be officer of mine. † (II. iii. 251-254) This statement alone not only shows how Iago’s ability to endear himself to others directly allows him to influence their decisions, but it also demonstrates his deviousness in such influences. We will write a custom essay sample on Othello: Iagos Manipulative Nature specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Othello: Iagos Manipulative Nature specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Othello: Iagos Manipulative Nature specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Rather than directly say to Othello that Cassio ought to be dismissed from his position, Iago defends Cassio in a rather weak way, in order to alienate no one while still ensuring Cassio’s dismissal, an occurrence necessary to his most carefully calculated plot. Despite such wrongs that Iago has, in reality, committed against Cassio, his apparent sincerity and friendliness blinds Cassio to his true nature. For instance, it is Iago’s calculated amiability that convinces Cassio to drink in the first place, prompting a series of disgraces that ultimately ruin him. When Cassio repeatedly refuses to drink, it is Iago’s friendly, â€Å"But one cup! I’ll drink/ For you† (II. iii. 34-35) that allows him to control and still not estrange himself from the useful Cassio. It is this ability of Iago’s to stay on good terms with Cassio that is proven most useful to him later, as Cassio accepts Iago’s advice of what best to do in order to restore his good name after his drunken brawl. In advising Cassio, Iago constantly plays himself up as truthful, loving and steadfast. He claims bluntly that all his advice is merely because he is a true friend, saying â€Å"I protest, in the sincerity of love and honest/ kindne ss. † (II. iii. 330) In planting even these small suggestions, Iago makes great headway in his ability to influence Cassio, proven when Cassio later says, regarding Iago, â€Å"I never knew/ A Florentine more kind and honest. † (III. i. 42-43) This statement is especially rich in irony, taking into consideration that it was Iago’s subtle deception that first landed Cassio in trouble. Friendliness is not the only means, however, by which Iago wins the favor of those around him. Part of what makes him such an appealing character, both to those in the play and to the audience or reader, is his incredibly magnetic personality. He has an impeccably sharp wit and a presentation that, while varying from flirtatious to charming to near clownish, never wavers from this charming spectrum (except for his moments of soliloquy, at which point his true wickedness becomes patent). His charms can be seen as he greets Desdemona with a clever round of couplets upon her arrival in Cyprus. II. i. 134-193) While he is biting in his verse, it is a calculated meanness, intended to delight Desdemona and consequently win her favor. While this scene entertains both those in the scene and in the audience, it also allows Iago to assert himself as the dominant party. This position fulfills his personal desire for power as well as lends his advice to those around him the authoritative pull it would otherwise lack. This dominant nature of Iago’s becomes most apparent in his scenes with Roderigo. In their conversations, Iago demonstrates most clearly the characteristics that make him an extraordinary villain; not only is he charming and extremely clever, he is also deeply persuasive, able to dominate Roderigo and control his actions while continuing to appear friendly. Iago establishes this dominance over Roderigo not only by elevating his own position in their relationship, but also by subtly belittling Roderigo, such as when he first presents his plan to hurt Michael Cassio. â€Å"If thou be’st valiant (as they say base men being in love have a nobility in their natures more than is native to them), list me. (II. i. 247-249) Such challenges to Roderigo’s character make him bound to prove himself, at which point he becomes easy fodder for Iago’s manipulations. Roderigo is not the only character whose integrity Iago challenges. When Othello enters to see Montano and Cassio fighting, he chides them, only to be loudly echoed by Iago. Oth. Hold for your liv es! Iago. Hold, hold! Lieutenant—sir—Montano—gentlemen! Have you forgot all sense of place and duty? Hold! The General speaks to you. Hold, hold, for shame! (II. iii. 166-170) In saying this, Iago succeeds in both ingratiating himself to Othello, a condition necessary in order to gain his trust, and establishing his dominance over the other characters in the scene because of his acting as Othello’s â€Å"right hand man. † In saying these few lines, Iago has highlighted his quickness to act, his sense of duty, and his high morals, and has most likely impressed all those present. While Iago is incredibly careful to always remain friendly when those he needs are present, it is when they leave that his backstabbing nature is revealed. Despite all the camaraderie Iago puts on when speaking with Cassio, in his absence Iago makes no attempts at false allegiance. This is made clear in the scene in which Montano and Iago discuss Cassio behind his back and Iago lies, â€Å"’Tis evermore the prologue to his sleep. / He’ll watch the horologue a double set/ If drink rock not his cradle. † (II. iii. 124-126) This lie is made doubly frustrating to hear by the fact that it was Iago himself who coerced Cassio into drinking heavily, something he would not have otherwise done. Every move that Iago makes is utterly calculated, every word a lie to guide others to his own ends. This fact becomes fully apparent only in Iago’s moments of soliloquy, when no other characters are present to be deceived. It is during these times that Iago speaks his mind freely and lets the audience see that all his civilities are merely stepping stones in his quest to undo Othello. After divulging his plan in soliloquy, Iago states, â€Å"When devils will the blackest sins put on/ They do suggest at first with heavenly shows/ As I do now. † (II. iii. 353-354) This precisely encapsulates the nature of his manipulative powers; Iago suggests with heavenly shows, but is truly a devil just waiting for the right moment.

What the President Does on the Last Day in Office

What the President Does on the Last Day in Office The peaceful transition of power from one United States president and his administration to another is one of the hallmarks of American democracy. And much of the publics and medias attention on January 20th every four years rightly focuses on the incoming president taking the Oath of Office and the challenges that lie ahead. But what does the outgoing president do on his last day in office? Heres a look at five things almost every president does just before leaving the White House. 1. Issues a Pardon or Two   Some presidents show up at the White House bright and early for a ceremonial last walk through the historic building and to wish their staff well. Others show up and get to work issuing pardons. President Bill Clinton used his last day in office, for example, to pardon 141 people including Marc Rich, a billionaire who had been indicted on charges of defrauding the Internal Revenue Service, mail fraud, tax evasion, racketeering, defrauding the U.S. Treasury and trading with the enemy. President George W. Bush also issued a couple  of pardons in the last hours of his presidency. They  erased the prison sentences of two border patrol agents convicted of shooting a drug suspect. 2. Welcomes the Incoming President Recent presidents have hosted their eventual successors on the last day in office. On Jan. 20, 2009, President Bush and  First Lady Laura Bush hosted President-Elect Barack Obama and his wife, as well as Vice President-Elect Joe Biden, for coffee in the Blue Room of the White House  before  the noon  inauguration. The president and his successor then traveled together to the Capitol in a limousine for the inauguration. 3. Leaves a Note for the New President Its become a ritual for the outgoing president to leave a note for the incoming president. In January 2009, for example, outgoing President George W. Bush wished incoming President Barack Obama well on the fabulous new chapter he was about to begin in his life, Bush aides told The Associated Press at the time. The note was tucked into a drawer of Obamas Oval Office desk. 4. Attends the Inauguration of the Incoming President The outgoing president and vice president attend the swearing-in and inauguration of the new president and then are escorted from the Capitol by their successors. The Joint Congressional Committee on Inaugural Ceremonies describes the outgoing presidents department as being relatively anti-climatic and unceremonious. The 1889 Handbook of Official and Social Etiquette and Public Ceremonies at Washington described the event this way:   His departure from the Capital is attended with no ceremony, other than the presence of the members of his late Cabinet and a few officials and personal friends. The President leaves the Capital as soon as practicable after the inauguration of his successor. 5. Takes a Helicopter Ride Out of Washington Its been customary since 1977, when Gerald Ford was leaving office,  for the president to be flown from the Capitol grounds via Marine One to Andrews Air Force Base for a flight back to his hometown. One of the most memorable anecdotes about such a trip came from Ronald Reagans ceremonial flight around Washington on Jan. 20, 1989, after he left office. Ken Duberstein, Reagans chief of staff, told a newspaper reporter years later: As we hovered for a second over the White House, Reagan looked down through the window, patted Nancy on her knee and said, Look, dear, theres our little bungalow.  Everybody broke down in tears, sobbing.

Photography Analysis Essay Example | Topics and Well Written Essays - 500 words

Photography Analysis - Essay Example The stadium seems very bright on the white background of the sky, and the attention of the viewer is drawn to the smoke and fire around it. The man seems to be just a black figure whose pose, lack of clothes and weapon reveal native Brazilian. The viewer may ask himself what the man is thinking about while he is watching the stadium burning. The moment seems to be filled with tension and some kind of desperation. The photo looks a bit absurd: there is no logical reason for fighting against modernity with an old and ineffective weapon such as bow; however, it is that absurd that shows the situation clearly. The man on the photo drops his bow understanding that he has no power; however he just still does not know how to fight with this new phenomenon. I think it does not mean that he gives up, the atmosphere of resistance is felt in the air. After close examination, I have also noticed that a tree in front of the stadium becomes an important component of the photo regardless of photographer`s planning it or not. Natural scenery with trees and the native Brazilian with an archaic bow make the stadium look even more alien and redundant. As the conflict is also connected to the lands demarcation, this piece of nature reminds the viewer of opposition between the urban building and lands preservation. Such composition allows the viewer to see the situation with the eyes of a simple passerby as if occasionally. The viewer is placed in the center of the photo on the same eye level with the photographer.

Internet Technology, Marketing and Security Research Paper

Internet Technology, Marketing and Security - Research Paper Example As a result, businesses have implemented the use of social media technology and application to communicate marketing messages and images to their consumers who have ready access to the communication media (Castronovo & Lei, 2012). Nonetheless, it is notable that many parts of the developed world has not adequately achieved access to computer systems and the internet (Chung & Austria, 2010) as a result of this, the application of social media is largely a phenomenon and concept of the urban community within developing economies because of access to technological infrastructure (Furlow, 2012). The marketing messages which are communicated via social media are passed from one individual to another rather than directly from the company or organization. Therefore, the users of social media in their evaluation of products and services act as a third parties and hence objective and credible sources of information (Lipsman, Mud, Rich & Bruich, 2012). Therefore social media is popularly being applied by business in marketing communication because of the authenticity and credibility that is associated with this form of communication (Castronovo & Lei, 2012). On the other hand, the application of social media in marketing communication has been criticized on the basis that it is informal and less reliable source of marketing communication about products and services (Hill & Moran, 2011). Additionally, it is argued that social media is only popular among specific segments of the market such as the young people (Lipsman, Mud, Rich & Bruich, 2012). This means that some segments of the market are not reached in social media marketing. Because of this, social media... As the essay declares  the popularity of social media as a marketing tool is argued to be a result of the advancement in information and communication technology. The contemporary society is increasingly utilizing technology and particularly the internet for communication and networking. With the advent of social media sites and platforms, the application of technology by individuals, businesses, agencies, organizations and companies has increased gradually.This discussion highlights that  the marketing messages which are communicated via social media are passed from one individual to another rather than directly from the company or organization. Therefore, the users of social media in their evaluation of products and services act as a third parties and hence objective and credible sources of information. Therefore social media is popularly being applied by business in marketing communication because of the authenticity and credibility that is associated with this form of communi cation. On the other hand, the application of social media in marketing communication has been criticized on the basis that it is informal and less reliable source of marketing communication about products and services.  The application of social media platforms in marketing is said to be the most effective way of reaching a large number of audience at no cost. Facebook and Twitter have registered billions of users within their accounts.

Global Population Essay Example | Topics and Well Written Essays - 1500 words

Global Population - Essay Example Taking into consideration the expected future data till 2050, population growth estimation can be viewed till 2020 in the figure below, showing fast growth till 1656 until the Flood of Noah decreased the population. At the time of Christ, world population was between 200 to 300 million. The world population would be 12,000,000,001 by the year 2200 if we take into consideration the recent history of population growth (Dolphin). Due to uncertainty regarding the population growth 2000 years before, logical bounds on the value of world population in AD1, for example, can be put with a lower bound of 50,000,000 and upper bound with 200,000,000. Population in AD 1000 can be bounded for lower and upper at 250,000,000 and 350,000,000 (Dolphin). According to the Press Release (11 March, 2009) of the UN population division, the world population currently at 6.8 billion will touch the mark of 7 billion by early 2012, and reach to 9 billion people by 2050, as revealed in the 2008 Revision of the official United Nations population estimates. The data indicates certain trends in world population like the population in developing countries will be young with children under the age of 15 accounting 29 percent of the total population and between 15 to 24 years age accounting to 19 percent of the total population. It would be a bigger challenge for the governments in developing countries to face education and employment challenges with the economic and financial crisis surmounting. Another trend would be seen on the growth rate of population above the age of 60 increasing more than 3 percent per year. Controlling HIV/AIDS would be another challenge linked to continuous growth. There is vast difference in the data of developing countries and developed countries on population growth. Let’s take the example of United Kingdom to analyze the population growth data, as given below

Dystopia In Film | Metropolis Vs Utopian Art Deco

Dystopia In Film | Metropolis Vs Utopian Art Deco The 1920s in Germany were a transition time, World War I had recently ended, and it was precisely the war that showed the destructive potential of modern technology. Invented and first used by the Germans in 1915, machine guns and poison gas showed the deep split between technology and humanity, it was the first modern war in which machines decided the outcome. In this time in history, it was the embracement of technology in other parts of the world, the Art Deco movement was the Utopian new way of living. After the war in Germany, American modernity became a powerful agent in the economic and cultural modernisation. America represented the New World, since Germany had a lack of national identity, the idea that mass culture might be a secret American weapon, one that would enslave the world by distracting it made sense according to Isenberg (2009, p.182-183). Combining these two facts, the German loss of dignity during the first World War, and modernity rising, it created a certain c omfort for the German culture to accept the modern movement, since it represented the ideal of living in the present which made it easier to forget about the harsh past. At first America was seen as a good idea, but by the mid-1920s Germany faced a stability in politics and economy, which questioned American way of living, its technological progress began to be seen as inhuman. Germany was beginning to feel threatened by America, with its focus on materialism and mechanisation of life, seeing it as a way to kill the human side of humankind. In 1927, the German film director Fritz Lang, created a movie analysing just that, our future with machines and its possible outcome. It was a film created to show the comfort Germany first took in accepting modernity but in a way where humanity would lose it all to it. The Art Deco movement at the time, stood for the modern world and the evolution of people through the new inventions of machines. Metropolis, still believed in this Utopian life but created its own, showing how human and machines can work as long as one important factor is not forgotten, which the modern world seemed to have already done. In comparison to the Art Deco modern views, Metropolis created its own view, which can be seen as its own naà ¯ve Utopian world, but also showed the Dystopia that could occur from this fast modern movement. In order to see how the two go hand in hand, one must look at important elements which happened at this time, the introduction of new technologies which affected almost all the aspects of life. From architecture to fashion, people and their ways were changing, since freedom was now praised upon, everything that used to be taboo or conservative was now in the open. Taking into consideration that the major elements, which make up Art Deco, are present in the film; this is to show how they were used to portray the negative side of this modern vision. We all believe in a Utopian way of life, in perfection, but the consequences are most of the time overlooked, and the film Metropolis was that vision, showing the effects of the new technologies people were praising and how it would forever change people, life and the world. Without further ado, lets see how the film has proven itself to be a masterpiece but most importantly how a purely imaginative vision may have foretold our future, from began as a Utopian idea to what may have changed the fundamentals of humankind. The late teens and early twenties in Germany was a time of rampant inflation, decadence, personal liberty, violence and insecurity. It was followed by the unfortunate rise of the Nazis during the late twenties and early thirties, which saw a severe clampdown on freedom of expression is all walks of life, especially the arts and politics according to Organ (2009). The central theme of Metropolis is that of a separation between working class and higher-ups and the need for a mutual understanding of each is presented both abstractly and directly through the image rather than the word. This theme of workers revolting against domination by exploitative management, their soulless machines, and new technologies, also struck a chord with reviewers and the general public, though many critics in America and Britain objected strongly to this anti-Fordism / anti production-line tale. As such, Metropolis, with its many themes and sub-texts, including the almost obligatory boy meets girl, boy loos es girl, boy finds girl was a controversial film from day one It garnered both positive and negative comment wherever it was shown, and generated much critical discussion in the press upon release according to Organ (2009). In order to understand the importance of the visual work accomplished in the film, on must look at different scenes from the movie where this is proven, such as the opening shot of line upon line, file upon file, of workers marching down the hallway towards the elevator that takes them down into the depths of the citys machines and inner workings. Each worker wears the same uniform, shuffles their feet in the same manner as if they were a military unit, and each slouch and hold their heads down in unison according to Simon M (2010). Such images as workers being fed to a giant monster, masses upon masses of slave labor building the biblical Tower of Babel, and Death itself swinging its scythe indicate the possible fall of this turbulent society in a stark and shocking way not possible through ordinary images or even the written word. They give this story something of a mythic and fantastic property, portraying its message through symbolism rather than realism, exaggeration rather than realism according to Simon M (2010). The pleasure garden in which Freder (the main character) indulges in the most hedonistic of pleasures, providing a stark contrast with the metallic, grimy world of the workers. This fluid and happy-go-lucky world is immediately interrupted by the entrance of Maria and the worker children. Here is the direct conflict and contrast between workers and elites, high and low, heaven and hell. Later on in the film Freder witnesses one of these machines at work, each worker mechanically pushing buttons and pulling levers in uniform, fixed motions. It is as if these workers are themselves machines, as Lang uses the image of uniform, unnatural motion to represent a lack of humanity, hopefully inspiring repulsion in the audience according to Simon M (2010). Such exaggeration is arguably necessary in the case of a silent film in order to make up for the lack of proper dialogue, but it also may add to the raw symbolism of it all, going to every last length t o show the divide between worker and elite. This exaggeration practically defines Metropolis in many instances. Along with the aforementioned portrayals of Freder and Maria, there is the near-comically evil Rotwang, who inspired just about every mad scientist portrayed in popular culture since then according to Simon M (2010). Another important factor is the characteristics of the appearance and behaviour of Rotwang which does not fit the stereotype of a modern scientist, and there are indications that he may be in league with the devil. The personality of the scientist Rotwang belongs to one of the most interesting antagonists of the screen. The possibility of an ambivalent interpretation of his character, he is a scientist, but also something of a sorcerer allied with satanic forces, which gives him greater complexity according to Urgosà ­kovà ¡ (2009). In 1924, Fritz Lang visited New York City, where the big-city architecture struck him, and the luminous cityscape influenced the visual design and electrifying energy for the film. Originally an architect, Lang was a man of unusually sensitive visual perceptions. His films of those years show an expressionistic sense for the plastic and the lighting, which emphasized architectonic lines and conveyed a sense of geometric construction that not only extends to the sets and the depicted milieu but even influenced the positioning of the actors in individual shots. In keeping with the conventions of expressionism, the inhabitants of the subterranean city have no individuality, and the crowd represents a compact mass from which personality projects only as a stark exception and only in a definite rhythm according to Urgosà ­kovà ¡ (2009). The introductory sequences present this social organization in a very attractive light. In a magnificent, gigantic city with gleaming skyscrapers, suspension bridges, and bustling street, people live in comfort and plenty, with every possibility for intellectual and physical development. However, Metropolis is not a city of freedom and equality. Below ground, working for the chosen elite, are masses of nameless workers who have no more value within the social order than a cog in a machine or a tool or production. It is for this reason that the workers revolt and almost destroy the city; only then is there a reconciliation and an equalization of rights for the two strata, the elite and the workers. Lang honestly believed in this idea of reconciliation, and his attitude to a certain extent reflected the German reality, in which there were growing indications of stabilization and attempts to resolve social problems. The uneven lines, contrasts of light and dark, half-shadows and silhoue ttes, which serve to suggest mysterious and menacing actions, events, and emotions. Lang applied these techniques effectively and successfully to one of the varieties of the fantasy genre, what he created to be utopian work, or in modern words influenced the genre of Science Fiction according to Urgosà ­kovà ¡ (2009). What can also be factored is the importance of architecture in the Art Deco movement, where the advanced of technology was introduced, which made the construction of skyscrapers possible. This new way of building up rather than out, gave the illusion that we could reach the sky, giving a high expectation for our future. In the film Metropolis, the main building is the Babel tower, where the legend is told that it was made to reach the stars and on the top it would be written Great is the world and its Creator! And great is Man! but in the sequence of the film where this is explained, it shows how in order for a building or any structure to be built, one must first think of the idea, which is not always possible. Once the idea is put on paper or into small scale, it needs labour to be produced and this is when the hands come in, and it is shown that in order for the Babel tower to be built, it would take a lot of man power and therefore some blood would have to be shed in order for th e man who had thought of this building, could see it built. This is Metropoliss view on the built of skyscrapers, since they were using new techniques, which were not already perfected, and what it would take to build such things, the cost of human lives? That it is great for such ideas to ever be thought up, but is it necessary? At the time yes, since it showed the greatness of man and what he could achieve. When a director creates a film, its main purpose it to communicate a message through visuals and dialogue, which can be expressed in different ways, such as speech, facial expressions and written words. Its main focus is to make the audience feel exactly what the director has in mind, therefore when Fritz Lang created this film, these elements could not be forgotten or not be taken seriously, or else the film would have not gotten so much attention or gained so much success. In a way if unprofessional work had been done, we would not even talk about this movie today, but the push for a different genre in film and the motivation to build a realistic set and using the right lighting, made this film not only a work or art but a movie that will continue to affect people in generations to come. Interiors How does one judge anothers financial status? by the furniture and interior of their home, it is not always true, but when exposed to someone elses lifestyle and home, one can easily put a social status on the other. In Metropolis, the interiors of both the upper and lower worlds are very distinct. The upper shows a high usage of Art Deco elements and the lower is very cold and style-less. The Art Deco elements showed the high class, therefore representing the people who could afford such extravaganzas. The Utopian concept is very much present, from using such interiors, which were very popular with the American style of the time, showing how the exploiters can manage to hide the bad and only show the good, or in other words the output. As seen in the office of Joh Fredersen and in Freders bedroom, all the highest technology was available for their usage. From the bed shape to the lamps, as well as the desk, all the geometric elements can be seen. This was done to show how the upper class were able to live, compared to the lower class, which lived under ground, with not much to rely too, since their living space was limited to brick walls and constant work, were the luxurious Art Deco furniture would serve no purpose to them, since they did not have the time to appreciate it. All these elements were to show, the Utopian life lived by the people who ran the city, compared to the Dystopia it created by asking such a request from other human beings, it analyses the two points of society and how people live. Based on the concept of capitalism and materialism, where it can only be reached by the officers and not the workers, which tends to be a common theme in any point in history. The main point of using such distinct style or interiors and exteriors, was to show the freedom and lack of appreciation from the upper class, since they had everything, they forgot to think about what it took to give them this luxury. It is an important factor in the film, since the whole point is to show, how and why workers would revolt against their superiors, and making such a big contrast between the quality of life between the two made the impact of the workers revolt more powerful, since it showed what they were deprived from and how it affected them. Running a city and taki ng all the profits can only generate unfairness, therefore creating a created desire of unneeded things to people who do not pocess them. If the interior design had not been considered for this movie the different views of both classes would have not been so powerful, and taking into consideration that the film depended a lot on visual and not words, such things needed to be accentuated to create its full point, to be clear to the viewer, what people were being targeted and illustrated. For her all 7 deadly sins Many biblical references can be seen in this film, one of the most important element in Metropolis is the robot version of Maria, which carries on her all 7 deadly sins. This image of the woman can be interpreted on many levels, one can be to show how women were acting in the 1920s since it was a time where more open behaviours were accepted, their dresses got shorter, they started to smoke and drink in public and freely exposed their sexuality, a way for them to celebrate the modern woman. The emergence of emancipated and sexually liberated women, as well as organised feminist activities in the mid-1920s. The robot Maria, stylised as the New Woman, rips the social fabric asunder, inciting the workers to rebel and seducing them into self-destructive acts. Her punishment, once she is uncovered as an agent provocateur, is to be burned at the stake according to Isenberg (2009, p.181). The most important scene is when the robotic doppelgà ¤nger of Maria , with her twitchy eye, sexually dances in front of the upper class men, this behaviour was meant to distract and manipulate them, done in an exaggerated way, when all the mens eyes are seen, their mouths are open, they become more violent to the point where they all run to the podium on which she dances, she tricks them to be a temptress who is out to deceive those who fall for the illusion of a replica. This nexus of technology, visual pleasure, and fantasy also lay at the core of modern American mass culture, which, according to some cultural critics, had seduced Germany into renouncing its classical canon of high culture according to Isenberg (2009, p.181). This robotic Maria was meant as metaphors, one being the threat the modern woman would have on men and community with her new sexual manipulating techniques, second she represents America and how it first seduced Germany into mass culture, through the same kind of pleasurable ways. The artistic beauty which Lang made the robot, with its glittering female bod y, stylised breasts and inhuman mask instead of a face perfectly represents this theory, it was made on purpose to be sexual, since it needed to represent the power of womans new sexual behaviour and how it could impact communities. She is treated as being a witch when she is discovered to be an imposter, which again shows how this new act is unnatural and dangerous to the evolution of people and if practiced a woman is as good as dead and should be burned alive for her sins of manipulation. The beauty of woman was openly recognised, therefore women seemed to take advantage of this new attention they were getting and getting away with it, showing how soon women could have the same rights as men, since they could manipulate them, showing an unbalance to how people use to live and statuses between men and women were already established. Visual Communication Typography and movie poster Art Deco typefaces are composed of geometric forms, an influence from the geometrical formal language of the Constructivists, but the love for elegance at the time gave it a decorative touch. With this new style of type design, readability sometimes wasnt too clear, since the letters seemed flat and ornamental, where they received additional spacial and graphic embellishments. One characteristic change was type going from narrow to wide, sometimes the lower cases were completely ignored to embrace the thin, long stroked capital letters, but antique and fractured scripts remain the standard despite the eras prevailing tastes. At times they were the mouthpiece of twenties modernism, with its technology, communication, transportation and its dynamism; at other times, of mundane elegance and luxury transposed into a fantastical world of unadulterated glamour that takes precedence over typography according to Stawinski (2009, p.131). This became a graphic language of exotic cultures, whic h embodied themes of modern technology and ways of life. One distinct font of the Art Deco movement, is Broadway; designed by Morris Fuller Benton in 1925: (show type) Comparing it to the font used for the Metropolis title, one can see where the Art Deco elements of type are visible but how they have been altered to create the feel for the movie. This obvious alteration, created a sort of horror feel, but how? The descenders of the M, T, R, P and S have elongated, the bowls of the O have been evenly distributed, the I, L and E have been distorted, an also distorted dot has been added to the I, but all the most important factor is that each letter finishes with a point as can be seen in all the descenders and the arm of the T. These strong angles, visible in all the letters, even on the O since it not perfectly round but mostly choppy lines formed into a circle, have given this title its unique character, where it is only composed of angles, no smooth lines are present, respecting the geometric language of the time but going against elegance. Taking into consideration that Fritz Langs 1927 film Metropolis is a silent film, the written word used in intertitles played a large role in story comprehension. Intertitles are important in silent films, since they need to give the audience information through text, which should be both appealing and readable, to clearly express to the audience what is being visually shown. Metropolis would be particularly hard to understand without the on-screen narration, since the actors faces and movements can express only so much. The font chosen for the Metropolis intertitles is very artistically stylized, which goes against the futuristic city storyline, where a more straight-lined font may have been more appropriate. Even though Metropolis inspired the Science Fiction film style, it was not meant to be one, but rather an art film, therefore it makes sense to use artistic intertitles, as a way to make the movie balanced in the style it was creating. Throughout the films city the same stylise d font it used as well as numbers, which indicate the style used throughout Metropolis, which shows that typography played a big part in the films mood, is was careful placed and used to make sure all the information needed was clear and stylised accordingly. All these traits put together have created an abstract version of typical Art Deco font, but on purpose, in order to catch someones attention, one must stimulate that sense, the way to promote the art form of film was through making a poster for it, what better way to give it an identity and a feel. When a poster is designed, it is composed of information for its viewer, which is also targeted, to inform them of what is happening, this information is read through the usage of words, which is where typography comes in. This powerful tool of type design, is the cherry on top of a poster design, since it is also composed if imagery to trigger another kind of feel, but type when used correctly can automatically create the ambience to describe the art form as a whole. In the case of Metropolis, this alteration of type was used just for that purpose, to trigger the imagination of its viewer, to show something different then the typical Art Deco posters created at the time of its production . Since the films theme was also an alteration of the life views of the time, if a typical Art Deco font had been used, it would have not shown the effect the film as a whole was trying to reach. So going back to 1927, as someone is walking in the streets and sees the Metropolis poster advertising the film on a wall, one can imagine the attention it must have gotten, since everything else around was produced to support positivity and evolution, here comes something scary and negative, therefore triggering the curiosity of people to see why it was so different. In order for a poster or any other sort of advertising elements to be successful, they need to properly represent what it is symbolising, which the one of a kind font used for the title of Metropolis did, it was the introduction to the movie before someone went to the theatre to see. Going to the next visual element, posters are a very powerful advertising tool, since they can be placed literally anywhere, therefore making them reachable to any eyes and to any audience. Typography as said before is one of the most important elements of a poster, since it makes the audience aware of what the poster is about, since it will surely cary a title. The other element is imagery, which is usually the background, and is used to go along with the title, to create a unified theme and helps the viewer reach a conclusion of their own to what the poster may mean. Posters are an art, since they need to work in a way where they need to be noticed at first glance, and briefly inform the viewer with all the important information in a couple of minutes. For such a film as Metropolis, which is in fact a two hour viewing of moving images, the poster had to illustrate all of that into one image, basically giving away the whole movie in a single view. Typical Art Deco posters were colourful, vibrant, energetic, showed a lot of movement, basically they illustrated and embraced the new technologies being introduced. They were drawn and printing with the latest techniques invented, showing people living in this new modernity, such as travel, fashion, drinking and smoking. What used to be taboo, was now in the open and people were showing off this new lifestyle full of luxury and advancement, which had never been seen before. This perfect lifestyle, mostly only affordable by the higher class, was praised upon, everyone had to be part of this new movement, exposing their inner desires, or letting all hell break lose. This new freedom of expression, and new possibilities had to be reflected, mostly through abstract views, such as people were usually drawn through geometric forms, almost not real, like this movement was too good to be true, in a way it showed the fear of people, since it used fantasy images to show what was really going on, things were moving too fast and the population did not really have time to digest all of this, therefore showing people though geometric elements, was a easier way to accept it. The imagery of the Metropolis poster distributed at the time, was duotone, illustrating only buildings in the background and the robot in the foreground, the title of the film at the top and all the information at the bottom. The duotone, was against all the colourful posters at the time, since the movie was showing the dark side of the Utopian philosophy of Art Deco, the robot in the middle represented the most important part of the film, but also to show people how they would evolve, but the answer to how lied in watching the movie. The information at the bottom, gave the regular film info; who directed it, the main actors, music composer, production house and writer. The drawing of the robot used a lot of curved lines, and showed an emotionless face, making it obvious that humans were being interpreted as robots. Conclusion Lets start with the quote The mediator between head and hands must be the heart taken from the film Metropolis, from this analysis it can be said that Art Deco is the head and the hands and Metropolis is the heart. The Utopian idea of Art Deco was a way to celebrate the new world and its technologies whereas Metropolis was the Dystopian view hidden behind this philosophy. It can be seen through all the elements stated, as a warning or a reality to what the world may evolve to be, that without the heart a life cannot function, but without the head and the hands a world cannot evolve. Therefore they both go hand in hand, but never one without the other, that humans may never forget their real values. This is the message that the film portrayed, that there is beauty in evolving, but we must never forget who we really are and our true powers, that if we rely too much on machines (technology) then what is left of us? Art Deco, was a time when everything was changing, the excitement of a n ew life, the embracing of a freedom given to people by machines doing jobs for them. These two art forms, have proven themselves through history and have shaped the world we now live in, but without art, how could anyone in the future know how a community evolved or lived, this is why it is important to analyse all the details of one element and how it fits into the time period it was produced, to better understand its message and value. The naà ¯ve way people were living during the 1920s, was in a way beautiful and pure, they had no worries except live and explore their new identities, Metropolis showed the difference between the high class or in other words the heads versus the lower class, the hands, and how they would live in two different worlds, one above and one below. This shows, that once an idea is conceived, the inventor takes all the credit, whereas the hands who built it, are never recognised for the hard work and risks it took to construct it. People in the higher class would be the only one to appreciate the hands work, since they would be the only ones would could afford it, they would be the only ones who could have the luxury to live in such buildings reaching the stars and afford such extravaganzas in their homes. But where did the workers fit in, in all of this? This is what Metropolis, was showing, that for such a Utopia to exist fairness should be placed between the heads who conceive ideas and the hands who built them, and yes in order to do that, the only power is our hearts. When speaking about art, the philosophy behind it must always be talked about, since it explains why it was created and what it was meant to represent, without one, you cant have the other, which is also another strong point about the quote, since people tend to concentrate on the most important facts but forgetting how it became important. Metropolis also created its own Utopia, where as long as the heart is present and the human side in humankind is never lost, we can live in an harmonious world. The hand shake in the end, also could represent the labour giving in again to capital. Metropolis inaugurated a series of utopias on film that attempted to resolve the difficulties of the contemporary state of society by projecting them into a story with a futuristic setting according to Urgosà ­kovà ¡ (2009).

Did America undergo a revolution? :: American America History

Did America undergo a revolution? Before we ask the main question, (whether America underwent a revolution in the Late 18th century) we must first define what a revolution is. In the past it used to mean there was a change in the society but then after a period of time it would return to the way it was, hence the word revolution, to revolve. Now if you look it up in the dictionary it tends to mean something radically changes and then stay's that way i.e. '' Fundamental change in values, political institutions, social structure and leadership brought about by a large scale revolt.'' The totality of change in a revolution distinguishes it from coups, rebellions and wars of independence, which seek to achieve only particular changes. For a complete revolution to take place there are six stages which should be completed, though it is impossible to predict the exact course of a revolution so this is just a guideline. The first of the stages is breaking away from the past, this is the stage that takes place even before the revolutionaries can think of setting up a new order for society. This stage is the weakening of the old society or government. Now that the the old order has fallen there is an apparent period of calming down, though peoples expectations are still high, if the new order doesn't resolve the issues that caused the political upheaval in the first place then the days of moderation will be short lived, this stage is called '' The weakness of Moderates''. A revolution is like starting again with a clean plate, so there is a radical backlash against prior powers. This stage eliminates all the old order and it's sympathisers, as they are seen as evil or corrupt, shortly anyone who is suspected of sharing or longing to go back to the old ways could become a target for social cleansing. This stage is called ''wiping out the past'' for obvious reasons. The next stage is the ''temporary set back'' or ''Thermidor'', this is when a revolution tries to turn back, though these temporary retreats a re usually just pauses to regain strength. Then comes dictatorship or ''Bonapartism'', meaning that all the ideals in a revolution are ultimately betrayed by a dictator. Bonapartism is the gaining of power using military strength. The final stage is restoration, this is the loop in the stages, when everything returns to basically the way it was except under a different power. Did America undergo a revolution? :: American America History Did America undergo a revolution? Before we ask the main question, (whether America underwent a revolution in the Late 18th century) we must first define what a revolution is. In the past it used to mean there was a change in the society but then after a period of time it would return to the way it was, hence the word revolution, to revolve. Now if you look it up in the dictionary it tends to mean something radically changes and then stay's that way i.e. '' Fundamental change in values, political institutions, social structure and leadership brought about by a large scale revolt.'' The totality of change in a revolution distinguishes it from coups, rebellions and wars of independence, which seek to achieve only particular changes. For a complete revolution to take place there are six stages which should be completed, though it is impossible to predict the exact course of a revolution so this is just a guideline. The first of the stages is breaking away from the past, this is the stage that takes place even before the revolutionaries can think of setting up a new order for society. This stage is the weakening of the old society or government. Now that the the old order has fallen there is an apparent period of calming down, though peoples expectations are still high, if the new order doesn't resolve the issues that caused the political upheaval in the first place then the days of moderation will be short lived, this stage is called '' The weakness of Moderates''. A revolution is like starting again with a clean plate, so there is a radical backlash against prior powers. This stage eliminates all the old order and it's sympathisers, as they are seen as evil or corrupt, shortly anyone who is suspected of sharing or longing to go back to the old ways could become a target for social cleansing. This stage is called ''wiping out the past'' for obvious reasons. The next stage is the ''temporary set back'' or ''Thermidor'', this is when a revolution tries to turn back, though these temporary retreats a re usually just pauses to regain strength. Then comes dictatorship or ''Bonapartism'', meaning that all the ideals in a revolution are ultimately betrayed by a dictator. Bonapartism is the gaining of power using military strength. The final stage is restoration, this is the loop in the stages, when everything returns to basically the way it was except under a different power.

Fifty Shades of Normal

Fifty Shades of Normal Since its publication in 1996, Robe Harrier's book It's Perfectly Normal has appeared on the American Library Association list of challenged books. It's Perfectly Normal was the LA'S #1 Most Challenged Book of 2005. The book is intended for ages 10 and up, and it explains the various physical and psychological changes that occur during puberty including information about sex and sexual health. The books text is paired with cartoonist illustrations by Michael Embezzler.Many religious institutions are posed to the information and the viewpoints discussed within because masturbation, abortion, homosexuality and other alternative sexual lifestyles are described as being â€Å"perfectly normal. † It's Perfectly Normal has been criticized for mocking religious beliefs by stating â€Å"some religions call masturbation a sin. But masturbating cannot hurt you† (48), and Harris then goes on to provide images of a young boy and young girl masturbating comple te with an explanation how to masturbate.In June 1996, John Chamberlain, a member of the Provo (Utah) Library aid It's Perfectly Normal â€Å"should be banned from the children's section because it's graphic illustrations of male and female anatomy, including sex organs, and its discussions of intercourse, masturbation, and homosexuality† (Forester 205). The Catholic Church believes that â€Å"masturbation is an intrinsically and seriously disordered act† (Vatican) and â€Å"any sexual act outside of marriage not intended for procreation is considered inappropriate† (Vatican).Harris explains that â€Å"sexual intercourse-having sex-can involve the penis and the vagina, or the mouth and the initials, or the penis and the anus† (15). While the book is factually correct, many challenges are based on whether this information is appropriate for children. In 2001, the book was restricted to elementary school pupils with parental permission in Anchorage, Alaska due to objections to the book's â€Å"value statements† and because â€Å"marriage is mentioned once in the whole book, while homosexual relationships are allocated an entire section† (ala. Org). Furthermore, the book was also challenged, but retained in 2002 after a conservative Christian group, the Republican Leadership Council, characterized the book as â€Å"vulgar† and trying â€Å"to minimize or even negate that homosexuality is a problem† (ala. Org). The book has been endorsed by Planned Parenthood, the largest abortion chain in the USA, but in contrast, nowhere does the book describe the virtue of chastity or abstinence (American Life League). Critics say the book promotes abortion by listing nine reasons to have an abortion (Dudgeon).The book's description of the abortion process is very clinical, and it avoids any discussion about whether abortion is morally right or the various social views surrounding the epic. It's Perfectly Normal was challe nged but retained in the children's section of the Mexico-Durian County, Mo. Library in 1997 when a Baptist minister complained not only about this title, but also about other â€Å"material concerning family sensitive issues, such as sexuality, the death of a loved one, or the birth process† (ala. Org). As per a BBC report, â€Å"all the religions have taken strong positions on abortion; they believe that the issue encompasses profound issues of life and death, right and wrong, human relationships and the nature of society, that make it a major religious once† (BBC. Co. UK). Harris wrote the book with the intent to provide facts that â€Å"were accurate and up-to-date and that the text was age-appropriate† (arbitrators. Com).She later commented that â€Å"l knew that illustrator Michael Embezzler and I had created a book that provided kids and teens with honest and accurate information, which they have a right to and need in order to stay healthy as they enter and go through puberty and adolescence† (Crispin). Harris succeeded in this regard, and accordingly, the book has been highly recognized and honored by the ALA, Booklets, Child Magazine, The New York Times, Planned Parenthood, and Publishers' Weekly (Floorboards).While some religious groups assert that the book â€Å"goes too far and even boarders on child pornography† (American Life League), â€Å"removal of a book for political, social, or moral reasons is legally prohibited† (Forester 205). The American Library Association's Library Bill of Rights states that â€Å"librarians and governing bodies should maintain that parents-?and only parents-?have the right and the responsibility to restrict the access of their children-?and only their children-?to Barry resources† (Floorboards).

History of the 1920 Olympics in Antwerp

History of the 1920 Olympics in Antwerp The 1920 Olympic Games (also known as the VII Olympiad) closely followed the ending of World War I, being held from April 20 to September 12, 1920, in Antwerp, Belgium.  The war had been devastating, with massive destruction and monstrous loss of life, leaving many countries unable to participate in the Olympic Games. Still, the 1920 Olympics went on, seeing the first use of the iconic Olympic flag, the first time a representative athlete took the official Olympic oath, and the first time white doves (representing peace) were released. Fast Facts: 1920 Olympics Official Who Opened the Games:  King Albert I of BelgiumPerson Who Lit the Olympic Flame:  (This was not a tradition until the 1928 Olympic Games)Number of Athletes:  2,626 (65 women, 2,561 men)Number of Countries: 29Number of Events:  154 Missing Countries The world had seen much bloodshed from World War I, which made many wonder whether the wars aggressors should be invited to the Olympic Games. Ultimately, since the Olympic ideals stated that all countries should be allowed entrance into the Games, Germany, Austria, Bulgaria, Turkey, and Hungary were not forbidden to come, they were also not sent an invitation by the Organizing Committee. (These countries were again not invited to the 1924 Olympic Games) In addition, the newly formed Soviet Union decided not to attend. (Athletes from the Soviet Union did not reappear at the Olympics until 1952.) Unfinished Buildings Since the war had ravaged throughout Europe, funding and materials for the Games was difficult to acquire. When the athletes arrived in Antwerp, construction had not been completed. Besides the stadium being unfinished, the athletes were housed in cramped quarters and slept on folding cots. Extremely LowAttendance Though this year was the first that the official Olympic flag was flown, not many were there to see it. The number of spectators was so low- mainly because people could not afford tickets after the war- that Belgium lost over 600 million francs from hosting the Games. Amazing Stories On a more positive note, the 1920 Games was notable for the first appearance of Paavo Nurmi, one of the Flying Finns. Nurmi was a runner who ran like a mechanical man - body erect, always at an even pace. Nurmi even carried a stopwatch with him as he ran so that he could evenly pace himself. Nurmi returned to run in the 1924 and the 1928 Olympic Games winning, in total, seven gold medals. The Oldest Olympic Athlete Although we normally think of Olympic athletes as young and strapping, the oldest Olympic athlete of all time was 72 years old. Swedish shooter Oscar Swahn had already participated in two Olympic Games (1908 and 1912) and had won five medals (including three gold) before appearing at the 1920 Olympics.   At the 1920 Olympics, 72-year-old Swahn, sporting a long white beard, won a silver medal in the 100-meter, team, running deer double shots.

Heres the catch essays

Heres the catch essays I would have to say that Joseph Hellers Catch-22, was at least enjoyable to read. There were several aspects about it that made it good and bad at the same time. First, I think the most important thing aspect to look at, is that Heller makes death, a traditionally sickening topic, a humorous event. It is humorous because of the way he illustrates who is crazy. I assumed that Yossarian was the insane one in the beginning. Now, I cant say that I am sure. I like how this book makes the reader think. Who really is crazy? Does anyone know? Yossarian is doing anything he needs to, to survive. Does that make him insane? In my eyes, he is living on instincts, the way he should. The threat of death keeps him going. He is not insane. So who is insane, the reader, the writer? I dont feel that I can answer that. If anything, I think all of the above. It is neat to see how one would act when faced with death. I think what Heller was trying to say is that when someone knows they a re dying, nothing makes sense to them. When we see people that know they are dying, we think that they dont make sense. So, we cant really know who is making sense. Its very tricky in that way. This at least kept me awake and thinking while reading it. I think the main conflict of the story, was between humanity and the rules. We are forced to do something by law then we pay the ultimate price for it. The best part is that we do it all for the idea that we are protecting those laws. The idea of a Catch-22 is interesting. Its like saying, A person has the right to do anything that another person cannot stop them from doing. This catch appears throughout the entire book. It was quite evident when the Italian woman is talking about the Military Police. It is also clearly evident when Yossarian is walking down the stairs. He is cursing Catch-22, although he doesnt believe in it. Ther...

I have decided to conduct my research on comparing and contrasting the Essay

I have decided to conduct my research on comparing and contrasting the romanticism and enlightenment period. I plan on focusing - Essay Example As â€Å"the government has re imposed the Anglican Book of Common prayers and has debarred the Non Conformists from holding religious meetings outside the established Church .A series of religion-fuelled crises forced Charles to dissolve Parliament, and led to the division of the country between two new political parties: Tories, who supported the king, and the Whigs, the king’s opponents.†¦Ã¢â‚¬ (Norton Anthology Of English Literature).Everything including Science went through development ,Time and Space were explored, development of Microscope and telescope opened new sense of vision, the authority of Aristotle and Ptolemy was broken and a new concepts were explored .The writers of this reign called this period Augustan as they believed that the English life has reached to the culminating period of civilization which existed in Rome under the rule of King Augustus. The art was formalized and there was little appreciation of Nature or beauty. The men of this age exalt ed the reason and regularity. They carried dislike for the emotions, enthusiasm and strong individuality as exhibited in the previous generation literature they sought for a conventional uniformity in manners, speech, and in everything else, and were uneasy if they deviated far from the approved, respectable standards of the body of their fellows. Great poetic imagination hardly exists among them. The poetry was full of abstract expressions and was intended to secure the elegance it often found substitute in superficiality instead of significant meanings. In the pursuit of highest possible perfection in the literature, as the ancients have achieved, their work resulted in shallow formal smoothness. Their strong tendency of moralising was also not free from conventionality and superficiality. In contrast to this was a period of Romanticism that saw the end of dominance of the Renaissance tradition. It observed the â€Å"fragmentation of consciousness away from the cultural authority of Rome† (Claire Lamont, 274); there was rediscovery of local cultures and vernacular literature. Romantic Literature is strong in many vernaculars of Rome as suggested by Claire Lamont in The Oxford Illustrated history Of English literature. The Romantic period saw the change in philosophy, politics and religion. It observed change in the art such as painting, music and literature. The Romanticism was a direct reaction to the rationalism of the Eighteenth century; it was a reaction to the physical world dominated by the science and the mental world dominated by the theories of Locke. The romantic poets rebelled against the ‘emphases’ on the commonsense and material as dominated by the preceding age. As the Romantic period coincided with the French Revolution there is much enactment of revolutionary ideas in the work of some of the poets. There are two generation of poets that represent the Romantic period, William Blake, Wordswoth and Coleridge are the elder gen eration of poets, and they were fired with revolutionary ideas. William Blake, one of the elder generation of poets was an engraver by profession and he was a great painter, he supplemented his training as painter and engraver by wide reading of the works of Dante, Shakespeare and Milton. The first collection of

Developing Manager Assignment Example | Topics and Well Written Essays - 2500 words

Developing Manager - Assignment Example In this respect, it can be recognised that the company follows transformational style of leadership and management However, in the present competitive business scenario, the company is identified to face different unavoidable challenges relative to its employment aspect, ineffective customer services, lack of appropriate advertisement and pricing policies. The company also faced immense challenges in meeting the requirements of disabled customers. In this regard, there are several management and leadership styles that can be adopted by the company in order to effectively deal with the identified challenges and issues. Few prominent leadership styles that can be integrated by the company are discussed below: Leaders following authoritarian leadership style develop effective policies and ensure that the employees conduct their operations in accordance with the formulated policies. The leaders develop policies along with procedures on the basis of which employees should be managed. Additionally, the leaders are also entrusted with the responsibility of determining that the objectives are accomplished suitably. The leaders scrutinise the activities of the employees and in this regard, the employees are unable to perform in an autonomous manner (SAGE Publications, 2012). Contextually, this leadership might be suitable for Ryanair as the leaders will possess utmost authority is devising policies, values, missions and visions that are to be accomplished in order to ensure that the company performs effectively along with better profitability. However, this leadership style is identified to develop hostile situation due to conflicts, employee turnover and guarded communication among others. Res pectively, this leadership style might not be efficient in improving the productivity of the company owing to the challenges it faces presently (Warrick,